A multi-instrumentalist, Jones could develop a tune on the sitar in a short time he had a background with the instrument largely from his studies under Harihar Rao, a disciple of Ravi Shankar. To alleviate his boredom, he explored Eastern instruments, specifically the Indian sitar, with a view to bolstering the musical texture and complexity of the band's sound. Brian Jones, overshadowed by Jagger and Richards, grew bored attempting to write songs, and with conventional guitar melodies. The Mick Jagger/ Keith Richards songwriting collaboration was producing more original material for the band, culminating in the sessions for Aftermath (1966) where, for the first time, the duo penned every track on the album. "Paint It Black" came at a pivotal period in the Rolling Stones' recording history. The Stones' outspoken, surly attitude on songs like "Satisfaction" alienated the Establishment detractors of rock music, which, as the music historian Colin King explains, "only made the group more appealing to those sons and daughters who found themselves estranged from the hypocrisies of the adult world – an element that would solidify into an increasingly militant and disenchanted counterculture as the decade wore on." With the success of the Jagger-Richards-penned singles " (I Can't Get No) Satisfaction" (1965), " Get Off of My Cloud" (1965) and " 19th Nervous Breakdown" (1966), the band increasingly rivalled the Beatles' musical and cultural influence. īy this time, the Rolling Stones had begun to respond to the increasingly sophisticated music of the Beatles, in comparison to whom they had long been promoted by Oldham as a rougher alternative. According to the biographer Victor Bockris, through Klein's involvement, the concerts afforded the band "more publicity, more protection and higher fees than ever before". Their October–December 1965 tour of North America was the group's fourth and largest tour there up to that point. One of Klein's first actions on the band's behalf was to force Decca Records to grant a $1.2 million royalty advance to the group, bringing the members their first signs of financial wealth and allowing them to purchase country houses and new cars. This success attracted the attention of Allen Klein, an American businessman who became their US representative in August while Andrew Loog Oldham, the group's manager, continued in the role of promoter and record producer. In 1965, the Rolling Stones' popularity increased markedly with a series of international hit singles written by the band's lead singer Mick Jagger and their guitarist Keith Richards. The Rolling Stones have played the song on several tours. Many artists have covered "Paint It Black" since its initial release it has been included on many of the Stones' compilation albums, as well as several film soundtracks. In 2011, the song was added to the Rock and Roll Hall of Fame's list of " The Songs that Shaped Rock and Roll". "Paint It Black" was inducted into the Grammy Hall of Fame in 2018, and Rolling Stone magazine ranked the song number 213 on their list of the 500 Greatest Songs of All Time. It received a platinum certification in the UK from the British Phonographic Industry (BPI) and from Italy's Federazione Industria Musicale Italiana (FIMI). The song also topped charts in Canada and the Netherlands. It was the band's third number-one single in the US and sixth in the UK. It was in the UK Singles Chart for 11 weeks in 2007. However, "Paint It Black" was a major chart success for the Stones, as it spent eleven weeks – including two at number one – on the US Billboard Hot 100, and 10 weeks – including one atop the chart – on the Record Retailer chart in the UK. Reviews at the time were mixed and some music critics believed its use of the sitar was an attempt to copy the Beatles, while others criticized its experimental style. The song was influential to the burgeoning psychedelic genre as the first chart-topping single to feature the sitar, and played a major role in bringing the instrument to a wider audience. Two months later, London Records included it as the opening track on the American version of the band's 1966 studio album Aftermath, despite it not appearing on the original UK release. London Records released the song as a single on in the United States Decca Records released it on 13 May in the United Kingdom. A product of Mick Jagger and Keith Richards' songwriting partnership, it is a raga rock song with Indian, Middle Eastern and Eastern European influences and features lyrics about grief and loss. " Paint It Black" is a song recorded in 1966 by the English rock band the Rolling Stones.
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